You have plenty of lens options for product photography. In other words, the best lens is the one that is best for the job. You can have the best wide-angle lens on the market, but it’s not going to be very useful for product photography. The lens that is most appropriate for the genre you’re shooting is the most important factor. But don’t be fooled into thinking that a lens is better just because it has a red line around it.Īs mentioned, a consumer-grade prime lens may be sharper than a premium zoom lens. The lens and build quality tend to be better in premium lines, such as Canon’s L-series. Or they think they are always better than their consumer counterparts.
#Nikon macro lens for close up photography professional
Some photographers believe that only premium lenses are suitable for professional work. Plus, these lenses also give you a lot of depth without the need to use smaller apertures, which is ideal for studio photography. Using a tilt-shift lens is a great way to correct the depth-of-field limitations of most lenses. This is really helpful when shooting product or package images. You can control how much of the story around the frame is included without changing the camera angle or distance. You can also shoot your subject at its most flattering angle with a tilt-shift lens. So you capture elements that would otherwise lie outside of the frame.īeing able to control the plane of focus allows for sharp focus in the foreground while background objects remain out of focus. By shifting the lens up or down or from side to side, you can get the best angle for the shot.
When you focus on an object, everything at that angle can be made in focus. So you can create an angled plane of focus. The tilt function changes the plane of focus, so it’s no longer parallel to the sensor.So when you focus on your subject, everything at that particular distance will also be in focus. In a regular lens, the plane of focus is parallel to the sensor in the camera. So you can shoot two subjects at two different distances. This allows you to control the convergence of parallel lines and the plane of focus. So what is a tilt-shift lens? It’s a lens that can be tilted or shifted in a wide range of directions relative to the image sensor. Commercial product photographers and still life photographers use tilt-shift lenses all the time. But it can be worth renting for certain types of jobs. This specialty lens can be a great lens to have in your still life photography arsenal. Tilt-Shift Lenses for Product Photography You’re usually looking for tighter crops. So long lenses are not common in still life photography. Knowing the minimum focus distance is useful for shooting macro or close-up photography because you must get very close. With the 100mm f/2.8 macro lens, you could be as close as 31cm and still create a tack-sharp photo. If you were shooting with the 100mm f/2, you would need to be at least 91cm away from your subject to focus on it. The Canon EF 100mm f/2.8 IS USM Macro has a minimum focus distance of 31cm. The Canon EF 100mm f/2 USM has a minimum focus distance of 91cm. The longer the focal length, the farther away you must be from your subject to be able to focus on it. The lens’s minimum focus distance determines how close you can be to your subject with it still in focus. This will tell you how much it magnifies your subject when you take a picture. It’s important to know the focal length of a lens. The shorter the focal length, the wider the angle of view and the greater the area you can capture. This is stated in millimeters (28mm, 50mm, 100 mm, etc.). The lens’s focal length is the distance between the lens and the image sensor when the subject is in focus. And as you stop down, the fine details in your image will begin to blur out. Your images will grow less sharp at apertures over f/16. So the image is a bit muddy and less sharp.
This causes the light to hit the subject less precisely. When you stop down to apertures such as f/22, the light hits and bounces off the edge of the aperture blade. When the aperture is wide, anywhere from f/1.4 to f/8, a lot of light hits the camera sensor directly. For example, light hitting a spider web or water droplets.ĭiffraction also occurs in our lens and on our camera sensor. We see examples of diffraction in our daily life. Diffraction occurs when light interacts with an object.
These moving parts cause lens diffraction. And they don’t have the moving parts that zoom lenses require to change the focal length. The second thing you should consider when shopping for a lens for still life photography is prime versus zoom.Ī prime lens is preferable for shooting still life genres like product or food photography.
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